a5c7b9f00b Before dawn, a large transport truck - the sort with canvas curtains around the cargo, often seen moving troops or matériel - lumbers down a makeshift road through fields of tall grain. It stops where two such roads cross. Two men get out to check the truck, the horn sounds a few times, and the fields are alive with people each carrying a suitcase. Maybe 50 of them. They rush into the back of the truck, and it sets out down one road. Does a new dawn await these immigrants without papers?
Before dawn, people will rise and other people will take away their hope.
BEFORE DAWN is a very strange short film because it is all shot in very distant shots. You only see people and action occurring at a great distance and the exact plot is vague, though you assume it&#39;s all about illegal aliens and human trafficking. Because of this, the film is excessively cold and distant and it&#39;s tough to care about the movie at all. Yet, despite these obvious flaws and missing pieces in the narrative, this film has been honored repeatedly in a variety of film festivals. I just don&#39;t get it. The film called for many extras, a helicopter and lots of vehicles…yet its impact was minimal because of its odd style.<br/><br/>By the way, this film is part of the CINEMA 16: European Shorts DVD. On this DVD are 16 shorts. Most aren&#39;t great, though because it contains THE MAN WITHOUT A HEAD, COPY SHOP, RABBIT and WASP, it&#39;s an amazing DVD for lovers of short films and well worth buying.
I was looking for a plan sequence for inspiration in trying to make one myself and accidentally stumbled onto this one. (thanks to the nice sundance film festival website) It&#39;s a fine example of usage of a sequence shot. It moves from situational shot to the conclusion and there never really is a need to cut. The story is very powerful in it&#39;s summable simplicity and lends itself beautifully to this kind of camera-work. I would recommend it to everyone who likes this kind of inventive movie-making. As a student i think this is also an ideal movie to show to students why you should sometimes choose for a sequential shot instead of cutting your story to death.


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